HitRecord has a new beta site. Try it out, and let us know what you think.
Mypictr_200x200-1

tommacarte

WEBSITE: www.twitter.com/tom...
LOCATION: England
RECORDS: 103
LATEST RECORD: 4 days ago
JOINED: February 20, 2010

All tommacarte's RECords

Mypictr_200x200-1
Released 4 days ago
Mypictr_200x200-1
0
resources
results
0
Mypictr_200x200-1
Released 9 months ago

Another track I made.

1
resources
results
4
Mypictr_200x200-1
Released 9 months ago

I spent the last couple days messing around with programming beats. Make sure you have good speakers/headphones, you need the bass!

1
resources
results
3
Mypictr_200x200-1
Released 10 months ago
Text_notecard_shadow_top_left

I could go on and on for pages and pages, hours and hours. I tried not to. These answers are in no way comprehensive.


1.    What does your creative process consist of? Do you think that the process of  creation should be private?


My creative process is generally thinking/mulling over my concept idea for a week, writing lots, and just whittling it down to something I am (remotely) happy with. I then get as much feedback as possible, and repeat the process until completely satisfied.


With hitRECord, it happens faster: I find a picture that is inspiring, write down some ideas, and generally have what I release in a few hours.


The creative process is important to be shared, but the final piece of art should always stand alone. If you need to explain it, you've failed. BUT others' creative processes are inspiring, if you like their art. But my own preference is for an emphasis on the piece, not the process. Writing never has been or never will be a social activity. It is hard work, on your own.


2.    Do you allow yourself to be censored by the likes and dislikes of society? Are you ever afraid to take your work a step further?


I do, subconsciously. I realise I think about how my work portrays me, and that this can kind of be limiting. I always need to be braver. All artists do, I think. Scare yourself.


3.    What pushed you to fall in love with the idea of collaboration?


I couldn't name a precise moment, but bouncing off of others creatively is a great way to push everyone involved higher than they ever could reach on their own.


4.    What do you think people could learn from collaborating, and what have you yourself learned?


People can learn how to approach things in new ways, which is always invigorating.


5.    Do you believe that a piece of art can ever be “finished”?


"A poem is never finished, only abandoned." I forget who said that. I think it is finished for that time. You can always go back and work on it when you improve/mature as an artist, but I think art should stand as testiment to the artist you were at the time you created the piece. Your last piece of art should be your best work so far.


6.    How do you think the media limits artists today?


I don't know. The internet creates a lot of opportunities, and I try to concentrate on that rather than the limits of traditional media. If art is good enough, it will find an audience.


7.    What piece of artwork are you most proud of?


I tend to hit a creative peak every so often, writing a poem I feel is the pinicle of what I've written so far, and then the next few feel like minor works, self-imitation. Each peak represents an artistic growth to me. My last peak was a few poems ago.


8.    How have your family and friends influenced you in your growth as an artist?


My family raised me, and have given me the values that have made me the artist, and the person, that I am today. My friends from my hometown developed their artistic abilities and tastes as I did- we grew together, and that meant we all have similar ways of thinking and seeing. My other friends are the same, just running parallel to my development slightly later in my life. (Pretty much all my friends are creative. Just the sort of people I click with.)


9.   Do you think your art contributes to a greater cause? If so what is it?


Art teaches me how to live. Is there any greater cause?


10. Has there been anything that has happened in your life that has made you doubt your self worth/ ability to create?


Every creative person I know has crises of creativity, questioning whether it is all pointless or worth anything. For an art form as culturally irrelevent (I am half-joking) as poetry, I get them fairly often. What the hell is the point? hitRECord has helped me get over these crises so often, because it tells me people actually care, actually like my work, and I can get that feedback pretty much instantly.


11. What has been one of the best moments that you have had here on hitRECord that you wouldn't have been able to have anywhere else?


Every time anyone remixes my work, I glow on the inside. Especially when they really capture the exact feeling I was going for, and add to it, take it to a new place.

Text_notecard_shadow_top_right
Text_notecard_shadow_bottom
1
resources
results
1
Mypictr_200x200-1
Released 11 months ago

Me reading my poem 'Summer in Spain'. Apologies for the hiss etc!

5
resources
results
5
Mypictr_200x200-1
Released 11 months ago
Text_notecard_shadow_top_left

The ground is covered red
with leaves, and I can hear
blackbirds singing. Here,
red means good luck.
 
I stand with my friend
and watch her grandfather
lighting firecrackers
at his mother’s grave.
He keeps a fire going,
to light the fuses.
 
It’s Chinese New Year.
Yesterday, the first day,
my friend’s family
visited him, their oldest
member. Today,
he brought her here
to pray to her ancestors.
 
They let me stand
with them and take
photos. All I can think
about is that Ryan Adams
song as we watch
the firecrackers burn up
and he asks for blessings.
 
Perhaps he’s remembering
how his mother kissed him
softly, or how she sang
to him when he was a baby.
 
I hear the melody
in my head. The smoke
rises in bluesy whispers
like spirits, going on forever.

Text_notecard_shadow_top_right
Text_notecard_shadow_bottom
4
resources
results
4
Mypictr_200x200-1
Released 11 months ago
Text_notecard_shadow_top_left

Your lens flared when
you photographed her,
the part-circles of rainbow
 
offsetting the angles
of her face in profile.
 
That’s how I remember her,
face to the sun, smiling,
eyes closed like she’s kissing the light
softened by those trees behind her.
 
Where were those woods? We drove
an hour through cornfields to get
to that spot: nowhere, Tennessee.
 
It was always good
to get out of the city.
 
You two did that every Sunday you had
off work, in your car with your camera
on your lap. I went with you, when I could.
 
This was all before
she got married.
 
Was I there then, the time this photo was taken?
She looks so peaceful that it makes me hope
 
I was there,
out of shot.


 

Text_notecard_shadow_top_right
Text_notecard_shadow_bottom
4
resources
results
2
Mypictr_200x200-1
Released 12 months ago
Text_notecard_shadow_top_left

Everything always was.

Everything, as blocks, as
     elements to be built up.

Everything was something else, once.
     Or rather, some other things,
     or parts of other things.


Only now was it assembled
     this precise way.


Only now are you assembled
     this precise way.


Everyone always was, in parts,
     waiting to be assembled.


Everything is synthesised.


Everything always was.


Every phrase always was,
     every sentence.


Every word already existed.


And if it didn't, the letters did,
     the parts did,
     the meanings did.


Every dot, every colour,
     every line.
     Every shape.


Everything is synthesised.


Every note, every melody,
     every rhythm.
     Every harmony.


Only now are they assembled
     this precise way.


Only now are you assembled
     this precise way.


Everything is synthesised.


Everything always was.

Text_notecard_shadow_top_right
Text_notecard_shadow_bottom
2
resources
results
4

Load More