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The RECords that I think best exemplify me as an artist...

So, after a really wonderful audio response to my request yesterday for "A Fake History of 1987" voiceover samples, now comes the time to unleash the first version in what I hope will be a heavily REmixed RECord.

There's 20 or so "1987" readings (so far) and when it came time to select one for the first version it was insanely difficult. The diversity of the readings was amazing because everyone interpreted the story, and its telling, in such unique ways.

Some readings went pretty fast, others went at a slower pace. Some were absolutely deadpan while others sounded straight off an R-rated radio report.

After sampling each of the readings over the visuals I had compiled I decided that Day Glo's reading suited the story I had originally envisioned. But even that isn't entirely true because I always knew the reading itself would dictate the pacing, the shot selection, and the overall tone of the video.

Day Glo's reading jumped out at me because it sounded like a report you'd hear on BBC, but it also had an even flow throughout. He read at a consistent pace that maintained the same tone without drawing too much attention to any particular line. Even the profanity remained subtle and advanced the story without making me think too much about what I'd just heard.

I hope that makes sense.

Having said all of that, I will be uploading a second version with JUST THE VIDEO and short sample of iBrew's "Aunt Roy's Picnic" (which plays briefly over the title.) That way everyone can REmix the video with different readings.

The way I edited the video however is matched to Day Glo's reading, so a new edit will probably have to be done to match the pacing of someone else's voice. All the REsources are cited (including the public domain footage) so anyone can use those same videos to REmix the visuals.

Alright, enough rambling...

Oh, and I'll start a collaboration too. :)

The following public domain footage was used:

"The Market Programme"

"Investment Software (1988)"

"Investment Software (2/4/1986)"

"Shotgun Sound Effect"

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The second version in the saga of the "They Can't Turn the Lights Off" REmix...

So... what's different in V2 you ask? Lots.

In addition to some new cuts throughout the first two acts, the two choruses at the end are packed full of historical icons of change. Rather than wrap up the RECord with just the animation (like in V1) there is lots of back-and-forth between the animation and Public Domain footage.

My personal favorite addition is the overlay of the Sundance singalong footage over the end titles. Such a great series of moments from earlier in the year.

Well... the end is drawing near on this REmix so please chime in on with REmarks for your feelings on this. Your input will help craft the final version!

Thanks again to everyone contributing to the two collabs on this. An extra thanks is in order for gweninterrupted for all of her devotion to this project. She's located a ton of great Public Domain footage and has been so helpful in organizing all of the RECords categorically and drawing attention to certain footage.


Additional P.D. footage:

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This is the low-res version of "At the Vista." The high-res version (for downloading and REmixing) can be found here:

A HUGE THANKS to all the hitRCorders who filmed the events and provided all the footage. I think everyone's getting the hang of the live show recording!

Also, another HUGE THANKS to audio engineer extraordinaire jeffpeff. His audio tracks came in handy big time with this video.


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I revisited this Tiny Film and added music to give it an extra kick. Other additions include an extra logo  and some audio/visual tweaks.

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The "REmix Theatre" collaboration began on January 18, 2011 and, after nearly three months of hard work by the contributing community, the 'Pilot Episode' is officially on the air.

I had no idea if making a quasi late night television show was even going to be possible. But I figured it was worth a try.

As outlandish a concept as it was at times, the community was remarkably supportive and immensely helpful in contributing the essential pieces to the project. And I wanted us to aim high, making the show as close to real television as possible: commercials, credits, bumpers, and network IDs had to be created just for this.

With the pilot in the can, my hope now is that this Pilot Episode will help inspire future installments. The idea behind "REmix Theatre" was always to establish some kind of structure and then have other hitRECorders pick and choose which parts they would like to carry over into new episodes. And with new episodes would come new Featured RECords, new fictional host characters, and new formats.


I did my best to cite every REsource involved with the project but I did want to highlight a few key contributors to this production, without whom none of this end product would have been possible:

* thesherbethead: I'm forever indebted to this creaive spirit. His theme music contribution really kickstarted the whole thing when it was in a lull and helped me figure out the direction it truly needed to go in. And Vincent McSuperfly is a character I really enjoy. Did you know that #McSuperfly has been trending since 1976? I thought it was since '77, but wikipedia was incorrect.

* Melanne: Heavily involved from the get-go, Melanne's ideas and passion motivated me day in and day out to keep going and stick with it.

* themetafictionist: Every single RECord on the site has the ability to inspire. When themetafictionist uploaded "How To Wear Your hitRECord Button" I remember thinking for a while what her RECord reminded me of. Then it came to me. It was like an infomercial from the '50s. I had already REmixed a Public Domain ad for "Free TV" and I had decided that was to be the lone commercial for the show. But then I decided to work on the "Retro RECord Store Ad" collaboration and that was one of the most fun things I've worked on (plus I think it adds a nice light-hearted touch to the show.)

* Dolphin170: There were so many excellent logos uploaded to the initial "REmix Theatre" collaboration, but Dolphin170's "Hitrecord Network Logo" was the one that I found myself really connecting with. Her logo was so uniquely retro and simple, and it hit on all the points I was looking for. That one design became so integral in the crucial "Network IDs" that bookend the episode.


The following Public Domain clips were used:

* "Shock Waves" -

* "The House That Dripped Blood" -

* "Madman - trailer" -

* "Ruby - trailer" -

* "Corruption - trailer" -

* "Dracula Has Risen From the Grave - trailer" -

* "The Virgin of Nuremberg - trailer" -

* "Maniac - trailer#1" -

* "The Wicker Man - trailer" -

* "Taste the Blood of Dracula" -

* "Don't Open the Door - trailer" -

* "Horror of Dracula - trailer" -

* "One Dark Night" -

* "Our Feature Presentation HD Clean & Dirty" -

* "Drive-in: Save Free TV" -


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The higher-resolution video is here for REmixing purposes:


11/11 is but a moment. And that moment is made up of people. Amazing, inspirational, creative, awesome people.

There is so much to REflect upon over the past year. So let's do it together.

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See complete album (45 total)
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