Day Glo's Featured RECords
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Some distance away, though not as far as you might think, there is a hill. The kind of hill that looks like a perfectly kept lawn from a distance, but when you stand upon it you can see how much of that green is moss, how it is in fact not a pure green but an aggregated colour of greens, greys, browns and yellows of grass and moss, weeds, bare earth and rocks. To stand on this particular hill would also bring ill thoughts and disquieting dreams, and few decide to stay awhile and admire the view, either departing at once from its uneven surface or continuing unhappily on their journey across it. Most of the people who knew exactly what caused this most disagreeable of downs have long since passed away, leaving their children with half-forgotten nursery rhymes as sole warning. The children, too, have grown old, the bedtime stories they once begged for now largely forgotten. Yet, still, in the villages on either side of the mount, the people know that there is a reason that children need not be warned of playing out too late, or of wandering off onto the hillside. The houses in their very stones recall that their occupants must be reminded not to tread lightly on this ancient mound of dirt and stone, and so they whisper at night, murmuring to their sleeping residents of what has been, and what may yet come to be. The houses speak in different voices, as people do. The old pub creaks with the dry depth of the English oak of its timber frame. The old shepherd's bungalow rumbles as the rocks of its walls once did when they fell up from the Earth's mantle. But they all tell the same story. They sing the same song, all: A kingdom once both dark and bright Or so it has been recorded by those well-versed in the old tongues of wood and stone. But nowhere yet have I been where the crow of the cockrel is heard with greater relief, than in the two towns of Morning and Dawn, separated by the low hill of Nightsfall. And if the locals should be a little more cautious than most about where they walk at night, so much the better, surely? Whether or not a mythic sovereign waits beneath that hill, I cannot say; but if he should be there, sleeping in fury still, while these old houses stand yet, the people shall not wake him with their tread. |
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fleet of foot breaking branches running with your sister to feel the shock of shattered bone and dance under a fountain of hot leaping blood - which you drink and gladly beneath her smile beating hooves and the kick do not stop you you beast you madness you moonbeam made bright and breathing flesh happy and alive with joy at the kill so sing you arrow fletched with godless fury you silver tooth and golden eye call run bite leap with love sorrow joy joy joy and announce your warm destruction in a homily of adoring devotion singing to your sister the moon |
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The the the the the run! Of the litter! Never fall never tall always more ever scorned but forever torn and left broken bleeding sighing sleeping on the train tracks at night where the end of the world sings in the distance with the homeless heroes and villains who saw the future in the bottle's broken glass, and pierced their flesh with nothing more than God's grace, who flew over streetlamps at night and cried for their brethren living in comfort beneath the sorrowed moon and stars. What could possibly go wrong, now that Christ swims in their blood? The smoke clouds their eyes and they cough cough cough cough cough and wipe the spit and emphysemic tar from the palms of their hands clouding over a full moon like spots of cancer on an x-ray Former beauty lost now in feathers and cotton hand-picked by a dozen somethings with nameless fury and absent-minded sickness careful careless coughing still with phlegm clinging to the back of their throats sure footed mountain goats climbing slopes, groping for handholds and handhelds a shaking camera narrator: "This is the truth of the matter, beyond dispute, hear now the voice of honesty." But a sudden gust and off they go go go blown away, a leaf on the wind sinned cleaned cleansed fenced off black make-up goth, drawn to the light. Mock it, kiss it, punch it, kick it, scream scream scream scream scream until your lungs give out. Until the words form themselves and a new language of rage and betrayal speaks unbidden in the mouths of all people, a tongue that wriggles and seethes alongside your birthtongue and strangles it, withers it, tears it from its roots so you must spit it out, wet and pink on the dirt. Anger is your voice now. Your voice? Your. Voice? Your. Voice? No it speaks itself. Looked for a host and found everyone with wings of black feathers and golden candleholders dripping wax of a thousand bees and birds and sex made cold and hurtful shadows them day and notday, With dark spirals concentric eccentric rings emanating from those green green eyes, Irises and pupils and students of archaic literature and ancient religions now discredited, theatrical gods with interest in naught but themselves and selfish bastard children inheriting their parents' disdain, reading Beckett and Shakespeare at 1300 hours with one eye closed, reading Sophocles and Sappho, Yeats and Plath, Proclaiming poetry Dead As The Dodo, Burning Ibsen for abject blandness, celebrating Strindberg for his female horror, Touching themselves and each other with Cronenberg's nightmares playing out across a wall in the background, Lynching their childhood fairtales, Wearing Red Shoes that dance no longer, Wearing masks of stolen human skin, faces without lips or eyelids, blank expressions for a sense of authority. Commanding a New Age of Literature, and Law, and Love (another defunct concept; see also "fucking"). Forget the old ways! Today is a new day! A new daze! A new craze, a phase, a transition between the now and the never and what could possibly go wrong? This is an old song, the Golden Age is gone, it never WAS and never WILL BE but tell me that things were better once and raise that flag above your head with all its stripes and dragons, bears, beasts and swordsmen, Beatmakers, boybands, and pop starlets all, you can tube can hit can record can be can better can than ever can Kant can't forget or forgive what meaning you gave your life, was it to improve your lot or help others? Sleep on it. Tomorrow you'll feel better. When the ghosts are under the cupboard and in your bed, the monsters restored to their place at the head of the table. Titan, Olympic. That's you. Nightly you live it over. In our eyelashes, in our tear glands, in our yearnings for opposition, in our shock, our stripped amygdalas unable to offer even a crippled comfort, there is something. But I refuse to valorise defeat. |
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A second draft of the screenplay by myself & Phen. After the advice on the previous draft, especially from Lawrie, I cut a couple of scenes and slightly restructured it. Also did a bit of a dialogue overhaul to cut down on unnecessary swears. I do think this is better than the initial draft, but as ever, let us know.
Thanks for reading.
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the children saw the shooting star fall into the playground. and though it was past their bedtime they all ran out to find it and find it they did amidst the swings and slides and heaps of shredded pipes and metal that were no longer safe for them to play around. they gather around the lip of the crater and peer down at what has fallen into their little kingdom. they whisper and nudge and point and laugh and cry and one of them steps forward and begins slowly to move toward it. he looks around to see if he has inspired courage in others but they have not followed so he moves forward alone. at the bottom of the pit is a dark shape that is perfect. it sits in its perfection oblivious because it does not know its perfection. the boy does not know its perfection but he knows that it is not something that should be here in the playground. he reaches out a hand and snaps it back expecting heat unbearable. there is no heat. no smell no warning. he touches it and the pain is awful. the pain fills him up like a balloon stretched to bursting with water. he thinks he shall never be free of the pain that splinters each of his bones into shards the size of a grain of sand and rearranges them to fit some obscure pattern. the pain that asks him simple questions a yes or no will do and the pain nods and writes something down on its clipboard and gives him a sticker for being a nice quiet boy and he draw his hand back from the perfect thing and the absence of pain is wonderful. he cannot help himself. he lays his palm again upon it. the other children watch and begin to creep down to the space. a second child arrives at the perfect thing and touches it with the tip of his forefinger. after a moment he pulls back and touches it again. and again. and the crater fills with children clamouring to renew and escape communion with the perfect thing. and the playground was never so full of joy. ------------------------------------- Hey look, it's almost horror. I sat down to write some sci-fi action and this happened! |
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- And Sleep


