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David Sugarman
- UK
- Last Record: 2013-04-19 19:52:38 +0200
- Joined: Feb 05, 2010
- http://infinitybuttons...
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Some distance away, though not as far as you might think, there is a hill. The kind of hill that looks like a perfectly kept lawn from a distance, but when you stand upon it you can see how much of that green is moss, how it is in fact not a pure green but an aggregated colour of greens, greys, browns and yellows of grass and moss, weeds, bare earth and rocks. To stand on this particular hill would also bring ill thoughts and disquieting dreams, and few decide to stay awhile and admire the view, either departing at once from its uneven surface or continuing unhappily on their journey across it. Most of the people who knew exactly what caused this most disagreeable of downs have long since passed away, leaving their children with half-forgotten nursery rhymes as sole warning. The children, too, have grown old, the bedtime stories they once begged for now largely forgotten. Yet, still, in the villages on either side of the mount, the people know that there is a reason that children need not be warned of playing out too late, or of wandering off onto the hillside. The houses in their very stones recall that their occupants must be reminded not to tread lightly on this ancient mound of dirt and stone, and so they whisper at night, murmuring to their sleeping residents of what has been, and what may yet come to be. The houses speak in different voices, as people do. The old pub creaks with the dry depth of the English oak of its timber frame. The old shepherd's bungalow rumbles as the rocks of its walls once did when they fell up from the Earth's mantle. But they all tell the same story. They sing the same song, all: A kingdom once both dark and bright Or so it has been recorded by those well-versed in the old tongues of wood and stone. But nowhere yet have I been where the crow of the cockrel is heard with greater relief, than in the two towns of Morning and Dawn, separated by the low hill of Nightsfall. And if the locals should be a little more cautious than most about where they walk at night, so much the better, surely? Whether or not a mythic sovereign waits beneath that hill, I cannot say; but if he should be there, sleeping in fury still, while these old houses stand yet, the people shall not wake him with their tread. |
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fleet of foot
breaking branches running with your sister to feel the shock of shattered bone and dance under a fountain of hot leaping blood - which you drink an... |
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The the the the the run! Of the litter!
Never fall never tall always more ever scorned but forever torn and left broken bleeding sighing sleeping on the train tracks at night wher... |
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A second draft of the screenplay by myself & Phen. After the advice on the previous draft, especially from Lawrie, I cut a couple of scenes and slightly restructured it. Also did a bit of a dialogue overhaul to cut down on unnecessary swears. I do think this is better than the initial draft, but as ever, let us know.
Thanks for reading.
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the children saw the shooting star fall into the playground. and though it was past their bedtime they all ran out to find it and find it they did amidst the swings and slides and heaps of shredded...
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Our landlord is the Rat King.
We didn't realise until we moved in; when the previous tenants showed us around, they told us the front room was occupied by their friend. Sleeping off a ha... |
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Who was it?
Who was it who fell? Fell, yes, blazing with shame and beauty with wings aflame, Fearing nothing, but knowing his end was coming all the same, Body marked with solar... |
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First verse a capella (no instrumentation) Chorus chords: A, C, G x4 (stay on the G for twice as long as either the A or C) Last time through, G descends to G... |
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Feel it there behind your eyes. Lurking like some dark beast, yellow teeth bared, claws sheathed for now. But this is no dumb animal. This is a cre... |
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