How can we make our site better for you? Leave feedback.

So I've written a screenplay for a short film based on themetafictionist's terrifying/hilarious contribution to the "Tragedy/Comedy" collaboration.  Now what?


WRITERS: I'm proud of the what I've written, but I'm open to revision.  Especially funny revisions.  If you can come up with even one single well-placed funny moment, joke, idea, etc that fits into what I've got so far, let's have it.


ILLUSTRATORS: The stalker in this short film decorates the envelopes (and brown paper bags) he leaves for his victims with cute romantic drawings.  I need you to create those envelopes, and that paper bag.  Read the script carefully.  Don't forget the brown paper bag has the writing "DON'T TELL", etc.  Photograph the envelopes and bag, and post the photos here.  Make the photos as hi-res as possible, and include photos of each individual drawing, because animators are going to use those photos to turn them into animation.  Then I'm going to pick one, and ask you to mail those illustrated envelopes and brown bag to me here in LA, so that we can use them as props in the short film.


ANIMATORS: The drawings on the envelopes and brown paper bag become quick moments of animation.  There's two sequences like this.  One in which the cute and romantic drawings on the envelope become cute and romantic animations.  And one where the cute and romantic drawings on the brown paper bag become genuinely frightening animations.  Read the script to fully understand what I mean.


MUSICIANS: I think there will only be music in the two sequences I'm talking about above.  One where the protagonist reads the first letter.  And one where she finds the blue dildo.  These sequences will be largely driven by the music, so I'd say you could even get started making something for these before we've shot the visuals.  I like basing my montage-style edits like this on the music, because it's all about rhythm and timing.  So we need one peice that's romantic and cute, and one piece that's genuinely frightening.  I think it might be cool to use the same instrumentation for both pieces.  I don't think traditional Hollywood "orchestra" sounds will fit here.  I'd suggest something like a pallette of gritty synth sounds, or overdubbing a bunch of tracks of electric guitar, or something like that.


VOICE-OVER ACTORS: We need the stalker's voice as he reads his love letter.  Sorry ladies, the stalker's a guy.  Read the script for the dialogue we need recorded.  


FILMMAKERS: I'm planning on shooting this short film, but that shouldn't stop you from doing the same.  If for no other reason than because it'll be fun.  I'll check out what you do.  Perhaps I'll use some of your ideas in my version (giving you full credit of course).  Or shit, it's likely enough you'll do a version that's so good, we'll present both yours and mine to the world.


Alright now get to work.

Show More

Request List:

  • Other

    • General

Step 1:

Step 2: Choose one of your records to contribute: