a sort of stream of consciousness-y thing ive been writing lately. i saw this timelapse vid today by bluebudgie and was really inspired to experiment with it. i understand how this might be seen as political or preachy or offensive.. but i honestly dont mean to be any of those things. it is directed at me more than anyone else. there's a lot of literary reference nod's in the text.
sub-point: the track is an instrumental version of everything is on fire
Ladies and gentlemen, I am beside myself with joy and anticipation :oD It is my sincere pleasure to present the very first episode of HITRECORD ON TV! Watch the entire first episode here before it premieres on television. WATCH EPISODE #1 HERE
Everything you're gonna see on this show was made collaboratively on our site -- hitRECord.org -- and the work of 426 Contributing Artists is featured in this particular episode. There's gonna be 8 episodes this season, each revolving around a different theme, like RE: Space, RE: The Other Side, and RE: Money. And since this is our first ever episode, I figured the theme of this one would be RE: The Number One. HITRECORD ON TV will be coming out on January 18th on a new cable channel called Pivot.
I'm deeply proud of this show, and I think you're realllllly gonna like it. Honestly, making this thing together with all the artists from around the world in our hitRECord community has been one of the most challenging and rewarding experiences of my life so far. So, without any further ado, enjoy the show!
Thanks again <3
Pure ridiculousness made out of …everything :)
I guess we all sometimes wish we could loop some parts of our lives and never let them end. But if you stay in a loop for too long, things start to slowly loose their edges, until everything is a big blurr and you're not sure anymore if you're at the beginning or the end, and before you know it, you're lost in the loop...
However, the not-so-deep musical part of my brains loves loops! :) and everything you hear on this track can be looped! you can find thse stems in the results, so if you feel like remixing, you can make your own loop remix of this song. And as always, it would be awesome to hear other people sining or playing along!
we can go back again
to where we began
and then when we reach the end
we can still pretend that
we can go back again...
Look what I just got my hands on --- the very first issue of The hitRECorderly, our brand new subscription series!
"Little Red Riding Hood Redux" is our inaugural issue and I'm really proud of this gorgeous full-color book the hitRECord community and I have created together. I really love when the stuff we work on together becomes a physical record.
This book we made is based on an adaptation I did of the original Brothers Grimm fairytale (which is sexist as all fuckin hell!) Our version's got a different take on the story and we've packed this book with feminist essays and various reactions to the new tale.
I loved JulesKD's "But What If I Want To Be Eaten?" record so much I just had to do a little reading of it in this here video. :o)
You gotta hurry and order your copy as these are a limited edition run of 2,000 so get it while the getting's good!
Single copies are available in The RECord Store for $20, but you'll save cash by subscribing to The hitRECorderly and you'll get a new issue every season!
You can subscribe here: http://www.hitrecord.org/store/recorderly.html
FCP by Dr. Gory
wirrow first Released this song back in the springtime. The first thing I did after the first time I heard it was email dan, saying "I found your new favorite song." He and I share a love for the pleasantly repetitive.
Other musicians added to it, PixelPilgrim and ChenelyWelly added to wirrow's vocals from the female persuasion. Nels Cline played hot guitar. Jeff Peff added percussion and edited the whole thing together into its current form.
The hypno-face template is one of the cooler aesthetic feats our mass collaborative process has achieved so far: wirrow drawing the first face, then hundreds of hitRECorders coloring it into diversity.
And the work of a whole lot of video artists went into this montage I've cut. Too many to name in this description, but I'll cite the resources below. (I've listed some so far, but I'll have to dig around to find the rest) The footage of dan spinning comes from Vanya, who is well intent on uploading the resource, I know because he's standing right next to me.
EDIT// I thought this could fit the theme of outsiders! :)
I have always loved sojushots' amazing illustration "let down your hair", and now it inspired me to write this song. It's a bit darker than the original story of rapunzel, just like the illustration. The same story, different ending! :))
I would love love love loove it if someone would add some accordian or strings to this song, you know, to build it up bigger, and then maybe in the final verses also some drums..... it would be awesome...... ;)
Here are the lyrics:
A man came across this old tower one day It was straight like from a book he once read He lifted his head up and saw this young lady And here's what the lady said:
CHORUS "Moi je m'appelle mademoiselle Noir Et comme vous pouvez le voir Je ne souris, ni ris, ni vis Et c'est tout ce qu'elle a dit"*
The man was so scared he could only run away He ran to the town and then said: "I just saw a lady with the longest dark hair And I think she's a living dead!"
The people, so scared, took their guns and their swords They ran to the tower and then They saw the pale lady and felt a great fear When they heard how she said it again:
The people, they knew what this all was about She was clearly a demon from hell They decided to set her long hair on fire In the end it would burn her as well
But the lady was no demon she was a lonely soul Just like in that book they once read Still waiting for her prince while her hair was on fire The one last time she said:
(*"Me, my name is miss Black And like you can see I don't smile or laugh or live" And that's all she said.)
//CHORDS were requested:
C#m, B, E
C#m, B, G#
C#m, G#m/B, Amaj7
C#m, B/D#, A, B
E, G#, A
C#, G#, C#, G#
C#, G#, C#